Son mari et ses proches l’ont toujours entretenu dans ses illusions. It is party day at Marguerite Dumont's castle. Marguerite (ComDads) is a 2015 French comedy and drama film directed by Xavier Giannoli, starring Catherine Frot. Still, says Giannoli, “I think it is very important that the audience knows it’s a true story. Le Paris des années 20. Marguerite is a starker movie, and it’s less frilly. Mais Marguerite chante tragiquement faux et personne ne le lui a jamais dit. A spectacularly untalented socialite becomes an opera star in Xavier Giannoli's elegant, pathos-laden period comedy. The central role of the deluded opera singer, whose false notes draw in the snickering crowds, has brought out the heavy guns. Although there are other explanations that are both more logical and more mundane, when someone refers to “The Legend of Petit Jean,” the person is most likely alluding to the romantic one. Marguerite Dumont est une femme fortunée passionnée de musique et d’opéra. "Marguerite" (2015 release from France; 128 min.) Attitude and aptitude collide in "Marguerite," a French drama whose absurdity and tender feelings are more in tune than the story's title character. If it is difficult to accept the rather contrived ending, the love story that emerges rings true. Co-written by director Giannoli and Marcia Romano, "Marguerite" recasts the infamous American story of Florence Foster Jenkins as a fictionalized French one. In the case of Marguerite by Xavier Giannoli, released this week, and Florence Foster Jenkins, Stephen Frears’ biopic of the eponymous tone-deaf singer, released this May, the two are different enough for both to shine. (Later in the year, we'll see Meryl Streep as the star of Stephen Frears' film about Jenkins.) Merry Christmas to all our readers from us all here at Mature Times. You can hear recordings of her, and her singing is beyond awful. Perhaps Marguerite really knows that Georges is not sincere in his excuses. While jazz is taking hold of Paris in the Roaring Twenties, in Marguerite Dumont’s (Frot) provincial chateau, Mozart, Bach and Vivaldi are on the programme. He suffers far more than Marguerite because he cannot share her delusion. Marguerite's story of misplaced confidence is based loosely on that of Florence Foster Jenkins, an American laughingstock whose ghastly public renditions of … It's 1921. Marguerite is loosely based on the true story of Florence Foster Jenkins, who will be played by Meryl Streep in an upcoming Stephen Frears movie. “Marguerite” is doubtlessly inspired by the true story of Florence Foster Jenkins, a society woman who was committed to being an opera singer, the actual quality of her voice be damned. Her husband and relatives have always kept her in her illusions. Nobody knows much about this woman except that she is rich and that her whole life is devoted to her passion: music. Pezzini knows that Magueritte is hopeless, but no one has the heart, or the courage, or the financial interest to tell her the truth…. The French film Marguerite, by Xavier Giannoli, which came here in April, moves the story to France, calls the character Marguerite Dumont and never quite lets you know if she’s unaware of herself or if she’s a fine Dada artist. Set between the world wars, the story tells of Baroness Marguerite Dumont (Catherine Frot), a patron of the arts and an opera lover. Marguerite sings. Nobody, including her husband Georges, dares to tell her. Et grâce à "Marguerite", le film de Xavier Giannoli, qui n’est pas un biopic, mais où il est clair que, sans Florence Foster Jenkins, il n’y aurait pas eu la Marguerite Dumont que joue Catherine Frot. brings the story, "inspired by true events" we are reminded at the beginning of the film, of socialite Marguerite Dumont. Marguerite’s story is so far-fetched, it is hard to believe. While Marguerite’s singing prompts George to confess that ‘she is no longer a woman to me; she has become a monster,’ Marguerite sings to gain George’s approval and attention. Auf Marguerite Dumonts Schloss unweit von Paris findet ein großes Benefizkonzert für die Waisen des Ersten Weltkriegs statt, auf dem sich eine Vielzahl von Musikliebhabern, Freunden der Familie, Bekannten und Neugierigen versammelt. 1921, the beginning of the Golden Twenties. We think this is why he is helpless to cut off her funds to end the embarrassment, but George is not the villain of this story. She sings wholeheartedly, but she sings terribly out of tune. Not far from Paris. Son mari et ses proches l’ont toujours entretenue dans ses illusions. Marguerite Dumont (Frot), a rich aristocrat, gives private recitals in her house. Marguerite Dumont is a socialite with more money than singing ability. Socialite Marguerite has no idea how bad she is — servants, friends and even other opera singers are too polite to tell her. People from Europe and America may recoil at the sound of singing from India and some of what sounds cacophonous to us in Chinese music – but the Indians and Chinese may think the same things about our music. There’s only one problem and it’s a problem no one will dare to mention to her, starting with her husband: she cannot sing in tune to save her life. Imagine the worst opera singer ever. But Marguerite sings tragically out of tune and no one has ever told her. She looks more self-indulgent than Marguerite and maybe less capable of Marguerite’s psychological complexity. Critic Bob Mondello says her story is both hilarious and heartbreaking. Catherine Frot plays Baroness Marguerite Dumont, ... At the core is a gently told love story whose tragedy rings true; Marguerite is desperate to grab the attention of a husband who no longer sees her and in doing so renders herself a laughing stock – her self-deception becoming part of the fabric of her being. Taste is a cultural construct, a social convention. Here we have Baroness Marguerite Dumont (a heartbreakingly confident Catherine Frot), in 1920, patroness of a classical music club. When the film opens, one such talent, Hazel Klein (Christa Theret) struggles to get past security before being whizzed away by Madelbos (Denis Mpunga), Madame Dumont’s seemingly devoted fixer, chauffeur, piano accompanist and official photographer. Joyce Glasser reviews Maguerite (March 11, 2016). Most Diva’s are jealous of young rivals, but Marguerite offers Hazel such a generous fee that the young woman thinks it is an error. Marguerite sings. They will exploit Madame Dumont, who seems happy to support their enterprise after reading Lucien’s glowing review – at odds with the more official reviews that are hidden from Madame. Depuis des années elle chante régulièrement devant son cercle d’habitués. The problem begins when she decides … Not far from Paris. Nonetheless, for entertainment’s sake, she’s incredibly endearing, and Catherine Frot plays her to Oscar-worthy quality. Umgeben von falschen Freunden und einem Ehemann, der sie zu sehr liebt, hält sie sich für eine große Sopranistin und lässt sich als Diva umjubeln, ohne sich bewusst zu sein, dass sie über Null-Talent verfügt und sich die Claqueure über sie lustig machen. (Stephen Frears’s film, which will star Meryl Streep as Jenkins will be released in May.) With Christa Théret, Michel Fau, Denis Mpunga. Marguerite Dumont est une femme fortunée passionnée de musique et d’opéra. Frot is 59, and Giannoli, who co-wrote the script, ups the level of pathos in order to earn our sympathy. That's the premise of an award-winning French satire that's based on a true story. Marguerite (ComDads) is a 2015 French comedy and drama film directed by Xavier Giannoli, starring Catherine Frot. Xavier Giannoli’s elegant comedy is far from perfect, but a fantastic performance from Catherine Frot brings the whole symphony together. Pezzini brings his decadent entourage to live at the chateau and they milk Madame for as much as they can. It is party day at Marguerite Dumont's castle. And it’s drenched in the opulence of the rich and ravenous with the shysters looking to take advantage of the vain and ostentatious. "It is party day at Marguerite Dumont’s castle. While retaining many details of Jenkins' story, "Marguerite" mythologizes her as Marguerite Dumont. It’s a bit hard to see the movie Florence Foster Jenkins clearly because of Marguerite, which has a more complex bundle of thoughts about its character. Non lontano da Parigi, è un giorno di festa nel castello di Marguerite Dumont e, come ogni anno, qui si raccolgono gli amanti della musica. Partly based on a true story, Marguerite takes you to a time when Paris was in flower and Barons ruled provincial areas of France. Marguerite is the enigmatic, eccentric socialite who hosts the lavish musical soirées that are the high point of life in the French provinces. Marguerite (ship), a French cargo ship launched in 1912, sunk by a U-boat in 1917. Inspired by the true story, Marguerite has already got audiences and critics singing their hearts out. As the movie opens, it is "September, 1920", and we are at a private recital, with a goal of raising funds for the was orphans. But Madame has tasted the footlights and there is no going back. The newer film, by British filmmaker Stephen Frears, keeps the story in New York, with Meryl Streep as Jenkins, Hugh Grant as Jenkins’ long-time companion St. Clair Bayfield, and a delirious Simon Helberg as Jenkins’s daft accompanist  CosméMcMoon, These are the real names of people in Jenkins’s life, and the broad events in the movie are close to the events of Jenkins’s last few weeks in this world. Marguerite Dumont is a wealthy woman, lover of the music and the opera. In her new film, Streep plays Florence Foster Jenkins, a socialite who didn't let her less-than-great voice stop her from becoming an opera singer. The name seems a conscious evocation of the actress Margaret Dumont, who acted as several clueless dowagers opposite the Marx Brothers. Marguerite Dumont is a wealthy woman passionate about music and opera. At that moment, I start to work, to write, to give reality to everything, every glance, every movement.” The young men entice her to perform at an anarchist cabaret where she brings disgrace upon herself and her husband. From this brilliant premise based on the true story … “Marguerite” is doubtlessly inspired by the true story of Florence Foster Jenkins, a society woman who was committed to being an opera singer, the actual quality of her voice be damned. Marguerite review. Howie Movshovitz came to Colorado in 1966 as a VISTA Volunteer and never wanted to leave. She is an active member of the Amadeus Music Club (they depend on her financial support) and serves as the headliner for their concerts. 4/5 stars Synopsis Marguerite, Baronne Dumont (possibly a nod here to the majestic Margaret Dumont in the Marx Bros films) may have married her husband Georges for his title (and he her for her money) but she genuinely loves him; and her horribly misplaced musical ambition is to make him proud. From time to time movies about the same subject come along in pairs and usually, if the quality is about equal, it’s the earlier bird that catches the box office worm. Who determines that Jenkins’s singing is unacceptably bad? But when Marguerite is determined to give a concert to the public, her husband Georges (André Marcon) reluctantly goes along, although he fears it can’t end well. In French with English subtitles. Her husband and her close friends have always encouraged her in her illusions. Set between the world wars, the story tells of Baroness Marguerite Dumont (Catherine Frot), a patron of the arts and an opera lover. And then there is Marguerite, a heart-rending—and eardrum-rending—send-up of French baroness Marguerite Dumont—an astonishingly tone-deaf music lover and would-be diva. Deftly balancing hilarity with heartbreak, this sumptuously produced period drama is fiction inspired by a true-life story. The story begins in 1921 with a performance by Marguerite in her mansion to benefit war orphans. Marguerite, Baronne Dumont (possibly a nod here to the majestic Margaret Dumont in the Marx Bros films) may have married her husband Georges for his title (and he her for her money) but she genuinely loves him; and her horribly misplaced musical ambition is to make him proud. Nessuno sa tanto di questa donna, se non della sua ricchezza e del fatto che tutta la sua vita ruoti attorno alla sua grande passione: la musica. We Talked To Polis About How He's Using His, WATCH: Octopuses Punch Fish, Sometimes For No Apparent Reason, Woody Allen’s ‘Café Society’ Leaves Some Questions Behind, 'It's A Playground': Meryl Streep On Acting With Abandon, 'Our Little Sister' Lives Up To Hirokazu Kore-eda's Focus On Human Experience. “Marguerite”A-Rated R. In French with subtitles. Meryl Streep will play Foster Jenkins in the Frears’ film, while Catherine Frot won this year’s Best Actress Cesar Award for her nuanced and touching portrait of Marguerite Dumont, a thinly disguised Foster Jenkins. By that standard, Florence Foster Jenkins is not profoundly unusual. Depuis des années, elle chante régulièrement devant son cercle d’habitués. It is party day at Marguerite Dumont’s castle. All Florence Foster Jenkins does in this movie is sing – and her singing never harms a soul. Frot’s wonderful performance makes us cringe at her vanity and folly, while our heart aches for her. Paris, 1920s. Mais Marguerite chante tragiquement faux et personne ne le lui a jamais dit. While Marguerite’s singing prompts George to confess that ‘she is no longer a woman to me; she has become a monster,’ Marguerite sings to gain George’s approval and attention. While jazz is taking hold of Paris in the Roaring Twenties, in Marguerite Dumont’s (Frot) provincial chateau, Mozart, Bach and Vivaldi are on the programme. But many good things come from the obviously bigger budget for Florence Foster Jenkins. Depuis des années elle chante régulièrement devant son cercle d’habitués. While Maguerite waits upstairs in her music room, dedicated to theatrical nostalgia, her husband Georges (Andre Marcon) is pretending that his new, fancy car has broken down yet again. Groucho Marx called her "practically the fifth Marx brother". Margaret Dumont (October 20, 1882 – March 6, 1965) was an American stage and film actress. Jenkins performed privately for friends, who apparently liked the soirees, but in 1944, when she put on the Carnegie Hall show, the public humiliation destroyed her, and Jenkins died just a few weeks later. Grâce à Meryl Streep, qui l’incarnera bientôt dans un biopic signé Stephen Frears. Channelling the lavish eccentricity of Peter Greenaway, Xavier Giannoli brings to screen the true story of a tuneless wannabe opera singer, with … For years she has been singing regularly in front of her circle of regulars. Like every year, an array of music lovers gathers around a great cause at the owner’s place. Giannoli has transposed the true story from Philadelphia and New York where Foster Jenkins gave recitals between 1912 and 1944, to 1920s France, complete with the latest sport cars, anarchists, fox hunts, bearded lady tarot card readers (Sophia Leboutte) and pretty young boys (Theo Cholbi) keeping aging opera stars happy. We are heartbroken along with Marguerite when she sees George with his mistress in a red shawl that Marguerite thought was for her. If it is difficult to accept the rather contrived ending, the love story that emerges rings true. That film starred Gerard Depardieu as an anachronistic provincial dance-band singer and ladies’ man who is aware that his stardom is dying out along with his fan base. Nobody knows much about the mysterious Marguerite except that she has devoted her whole life to her passion: music. Cover your ears and open your hearts: In French director Xavier Giannoli’s pitch-perfect comedy of manners, “ Marguerite,” a shameless chanteuse with a … Mais Marguerite chante tragiquement faux et personne ne le lui a jamais dit. The French film Marguerite, by Xavier Giannoli, which came here in April, moves the story to France, calls the character Marguerite Dumont and never quite lets you know if she’s unaware of herself or if she’s a fine Dada artist. Sometimes, when filmmakers age, they begin to slough off extraneous technique and move towards simplifying. While retaining many details of Jenkins' story, "Marguerite" mythologizes her as Marguerite Dumont. brings the story, "inspired by true events" we are reminded at the beginning of the film, of socialite Marguerite Dumont. "Marguerite" (2015 release from France; 128 min.) Marguerite Dumont (Catherine Frot) has a whole entourage of people allowing her to believe she is a great singer. Streep is, of course, Streep. She is an active member of the Amadeus Music Club (they depend on her financial support) and serves as the headliner for their concerts. Of necessity, the film begins with that familiar statement: "Based on a true story." She is best remembered as the comic foil to the Marx Brothers in seven of their films. She loves to sing for her friends, although she's not a good singer. The smirks and bumbling’s are gone, and so is Grant’s apparent and annoying delight in his own good looks and charm. Like every year, an array of music lovers gathers around a great cause at the owner’s place. Die reiche Marguerite Dumont ihr Leben der Musik. Marguerite is a handsomely shot period affair with all the trimmings. Here, Grant plays a man aging, desperate and trapped in multiple deceptions. For years, she has performed regularly for a circle of guests. We also learn that it is Marguerite’s personal fortune that finances her folly, and not George’s. The Legend of Petit Jean is a romantic Arkansas tale that purports to explain the origin of the name of Petit Jean Mountain. Depardieu was 58 when he imbued the role with a quiet pathos rarely seen in the flamboyant actor. George shoulders the humiliation that she shrugs off and defends his wife when their two-faced music club ridicule her. Marguerite Dumont (Frot), a rich aristocrat, gives private recitals in her house. In her mind, she's also a great singer, performing only for the elite club she supports. She brings him her flattering review as a child would present a good school report to a parent. She is convinced to be a good singer, but actually she sings totally out of tune. At Kendall Square Cinema. Nobody knows much about this woman except that she is rich and that her whole life is devoted to her passion: music. While gaining George’s approval cannot be the only reason for her obsession, we realise that, in an odd way, it is what George loves about her. It’s surely a very loose inspiration, as it’s pretty unreasonable the lack of self-awareness the title character has. Both her friends and her husband have kept her fantasy. Because it’s so crazy. She pays for performers from Paris to sing and play to the rich. Marguerite doesn’t let the audience off the hook so easily. Fictional movie superheroes, as well as actual public figures – and many regular people also – are locked in their own cocoons, certain that they are good and right. Son mari et ses proches l’ont toujours entretenu dans ses illusions. Sign up for our monthly newsletter for all the latest news, views, competitions and reader offers. Florence Foster Jenkins, the movie, is more simplistic than Marguerite, in some ways. He confesses to his sympathetic mistress that he dreads the moment when his wife will open her mouth. She sings wholeheartedly, but she sings terribly out of tune. She is also a benefactor who spots talented young singers and gives them a chance to show off their talents with a full orchestra. Son mari et ses proches l’ont toujours entretenu dans ses illusions. It's called Marguerite, and it follows a middle-aged socialite by the same name. The work of the French Impressionist painters – now thoroughly celebrated – was despised as incoherent and disgusting by the good people of the day. That’s where cinema begins for me. There must be something about Florence Foster Jenkins that matters to us now. Jenkins, a wealthy dowager, loved music, but in conventional terms was an unspeakably horrible singer. Like Marguerite, Florence Foster Jenkins looks at the question of authority surrounding matters of taste. Frot somehow manages to convey a deluded fool and a sensitive, intelligent music lover (Foster Jenkins was a talented pianist) who is deluding herself in order to live a life that money, if not talent, can buy. 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